SoundPages
SoundPages is produced by Jack Straw Cultural Center as part of the Jack Straw Writers Program. This podcast features interviews and live readings from artists in the Jack Straw Writers Program. Each year a series of twelve episodes is produced featuring the current Jack Straw Writers and curator.-
Home[sic] - Rachel Trignano
Rachel Trignano’s project for the 2018 Jack Straw Writers Program is a collection of essays called Home[sic] that deals with family, memory, and the changing of truth over time. In her conversation with curator Daemond Arrindell, they discuss the intersections of storytelling, intimacy, and perspective. “You can have an intimacy and familiarity with your family and know them your entire life—I liken it [to] having your favorite mailman or something. . . . I’ve known you since I was x years old, I see you all the time, I enjoy you . . . I have no idea who you are.”
Music by Amy Rubin and Dawn Clement, produced as part of the Jack Straw Artist Support Program.
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Beyond February – Daniel Atkinson
Jack Straw Writer Daniel Atkinson’s contribution to the 2018 Jack Straw Writers Anthology, “To Know Your People Is to Know Yourself,” deals with the complicated interracial history of his Southern family. He spoke with curator Daemond Arrindell about George Walker, a founding father of the Harlem Renaissance; being “hired to ‘be diversity’ as opposed to ‘do diversity’”; and the Black history that goes beyond the month of February. “People, when they read what I write, they always say it’s got this anger to it . . . but . . . I am the Credible Hulk. I have matched my vocabulary with my rage. . . . Though it’s discomforting for you, that doesn’t make it wrong.”
Music by Amy Rubin and Dawn Clement, produced as part of the Jack Straw Artist Support Program.
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Rhapsody – Sarah María Medina
Sarah María Medina’s contribution to the 2018 Jack Straw Writers Anthology is a collection of poems from her poetry manuscript Oshun’s Daughter. In her conversation with curator Daemond Arrindell, they discuss the decolonization of art and its form, responding to music, and spontaneity on the page. “I’m not knocking the sonnet, but for me I feel like it’s a bit constricting,” she says. “I end up feeling like I can’t breathe by the end of it. So, I like to think about . . . my brother . . . he’s really into rumba, that is a more open-ended form where you can have the beat change and break and you can go in to bembé. . . . And I like to think about how we can do that on the page.”
Music by Amy Rubin and Dawn Clement, produced as part of the Jack Straw Artist Support Program.
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Cicada – Jalayna Carter
Jalayna Carter’s poems in the 2018 Jack Straw Writer’s Anthology are both a “report on human behavior” and a “love story to how humans cope.” In her conversation with Daemond Arrindell, they discuss being Southern, legacies, and exploring fear. “It’s great to be someone who people can look up to and say, ‘Oh, that person can handle it. That person is strong. That person is everything that I want to be.’ But it, ultimately, is a disservice to ourselves. I see people who are not able to admit that they are afraid and how that . . . tears apart their lives. I would love for people, black people and people of color who read this book, to know that it’s OK to be afraid.”
Music by Amy Rubin and Dawn Clement, produced as part of the Jack Straw Artist Support Program.
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Body – Danielle Bero
2018 Jack Straw writer Danielle Bero is working on a chapbook of poetry about her relationship to her body and queer identity. She and curator Daemond Arrindell talk about finding passion and connection with an audience, the rhythm of her writing, and working in schools. “Even my own students, you know, I want to get them excited. In a land of Twitter age, where it’s like, ‘I got a hundred and forty characters to make me kind of shine,’ I want them to start thinking about language that pops, thinking about wordplay, thinking about how things play off of each other, and how language can be really like . . . how everything is poetry.”
Music by Amy Rubin and Dawn Clement, produced as part of the Jack Straw Artist Support Program.
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Grief - Dujie Tahat
Dujie Tahat‘s project as a 2018 Jack Straw Writer is a chapbook length manuscript about grief in relationships and the political sphere. In his conversation with curator Daemond Arrindell, they discuss what grief teaches, the grief within immigrant experience, and fatherhood. “I think the relationship between turning and facing yourself—I think that’s what teaches you empathy. I don’t think you need empathy to do that. The core thing is being able to look at yourself.”
Music by Amy Rubin and Dawn Clement, produced as part of the Jack Straw Artist Support Program.
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Belonging - Natasha Kochicheril Moni
Jack Straw writer Natasha Kochicheril Moni spoke with curator Daemond Arrindell about her collection of poetry and creative non-fiction, As a Dark Bird in a Light Egg. Their conversation covers the duality of being biracial, the idea of home, and her experiences as a naturopathic doctor. “It’s this feeling of belonging: How do I belong inside myself? And then how, depending on what your belief system is, how do we belong to one another—whether it’s a country or whether it’s just us, humanity.”
Music by Amy Rubin and Dawn Clement, produced as part of the Jack Straw Artist Support Program.
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SYG - Juan Carlos Reyes
Juan Carlos Reyes’s project for the 2018 Jack Straw Writers Program is a collection of stories that investigates father-son relationships. In his conversation with curator Daemond Arrindell he discusses cultural norms, contradictions, and the celebrations of group and individual identity. “Every story, eventually, is about that little place and about our moving away from that place, but always having to return to it to negotiate.”
Music by Amy Rubin and Dawn Clement, produced as part of the Jack Straw Artist Support Program.
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Colluvium - Meredith Clark
2018 Jack Straw writer Meredith Clark writes about the experiences of the body, both known and unknown. In her conversation with curator Daemond Arrindell, they discuss queer identity, the difficulty of embodiment, and documenting experiences before perspective unfolds. “I think embodiment is, at least for me, and I think for a lot of people, not necessarily a natural state because the body holds so much, and the body encounters so much, and the body is a site of so much held experience.”
Music by Amy Rubin and Dawn Clement, produced as part of the Jack Straw Artist Support Program.
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Hypomania - Corbin Louis
Corbin Louis’s zine poetry project “Hypomania” investigates mental illness, addiction, and chronic pain. In his conversation with curator Daemond Arrindell, he discusses his subversive approach to poetry, the toxicity of American culture, and the Via Dolorosa. “In the land of commercials, in the land of big studio movies, in factory-made clothes . . . anything that speaks authentically against that is an effort toward subversion. Me, specifically, I try to have this approach of, like, radical honesty. I think it’s the artist’s job to say crazy, fucked-up shit and keep people on their toes, you know what I mean?”
Music by Amy Rubin and Dawn Clement, produced as part of the Jack Straw Artist Support Program.