2005 Writers Forum
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| Carlos Martinez lives in Edmonds, WA, earned an MFA at Antioch University LA, and teaches literature and creative writing at Western Washington University. He's been published locally in Cranky, Crab Creek Review, Poets West Literary Journal, Jeopardy and 4th Street, as well as the local anthologies Vox Populi (1999 Seattle Poetry Festival), Pontoon #5 (Floating Bridge Press), and The Sound Close In (2004 Skagit River Poetry Festival). He's also published nationally in Morpo Review, Yawp, The Pittsburgh Quarterly, Black Bear Review, Poet Lore, and Firefly, as well as in the anthology An Eye for an Eye Makes the Whole World Blind: Poets on 9/11. | ![]() |
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photo credit:
dean wong |
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| In 2000, he was one of two featured poets at Poetrymagazine.com and in 2004 he was a featured reader and participant at the Skagit River Poetry Festival. His chapbook, The Cold Music of the Ocean, was published in August 2004. In 2003, he took second prize in the americas review poetry contest. He was recently selected as a 2005 Jack Straw Writing Fellow by Jack Straw productions in Seattle. | ||||||||||||||
| Read and listen to excerpts from a discussion between Carlos Martinez and 2005 curator John Mifsud. |
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| Between the formal and the open In the absence of rhyme, how does one begin to discuss times passage, either swift or slow, or how light glows from the sky or refracts from skyscraper windows, how the afterglow of day gives way to pitch-dark night during a power outage, or how lovers, once done, congregate back inside themselves and pass a smile off as being sufficient? Without those certain words we love for euphony (call it music), the musical touch of the tongue as short baton we wield on the podium of who we are hear discordant notes, the ineptly executed passage , how can anything then become as lovely as a song by Whitney Houston or Beyonce, divas born to rapture, as when the poet stirs in the morning and sips the first cup of coffee, lights the first cigarette aroma of smoke as intoxicating as illegal weed , what is he or she to write, to read out loud in the bathroom, acoustics perfect? Law, say the gardeners, is the sun. Law is whatever needs to be done to bring alive and kicking anything that shines and glimmers when we see it. Rhyme or open form, thats the question. The chorus in the back room of who I am chooses the proper notes, the wrinkled sheet of music I need to use. You choose, too, what you need. |
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Jack Straw Productions: The Audio Arts Center for the Pacific Northwest |
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